Two lifelong friends, Rusty and Max, spend their days locked in spirited debate, their banter a mix of affection and exasperation. Their latest scheme—a project of considerable importance—unfolds against the backdrop of an American backyard, where every word is dissected, twisted and re-examined. The play’s dialogue, dense with wordplay and rapid-fire exchanges, pushes the boundaries of their friendship and the limits of language itself.

The production is directed by Margarett Perry, whose work on Fringe First-winning shows brings a sharp, disciplined edge to the chaotic energy of the script. Playwright Brian Dykstra’s writing, noted for its razor-sharp wit and structural inventiveness, anchors the performance, blending absurdist humour with moments of unexpected introspection. The staging relies on minimal set changes, focusing the audience’s attention on the precision of the actors’ delivery and the escalating absurdity of their conversation.

Details written from the information supplied by the event organiser.