Booking essential Tickets £5, all welcome Reuter in Tehran (2026) is a new live performance conceived by Bahar Noorizadeh, originally for Cooper Gallery, Dundee, and now redeveloped for The Showroom in collaboration with London-based musician and sound artist Mhamad Safa. Staged as a horroristic dialogue between an anomalous financial auditor and Baron Reuter, the concessionaire of the first imperial bank in Persia, Reuter in Tehran retraces the symptoms and the signs of a financial contagion initiated by the pathogen of the European central banking system. The performance forms part of the public programme for Bahar Noorizadeh’s The Debtor’s Portal exhibition and mural commission: In Mortua Manu / In A Dead Hand . About Bahar Noorizadeh, born in 1988 in Iran, examines the relationship between art and capitalism and their entangled moral, social and organisational technologies. In her practice as an artist, theorist and filmmaker, she investigates the histories and the futures of economics, from ancient monetary systems to cybernetic socialism and neoliberal finance, and the techno-fictions underpinning geopolitical relations and logistical infrastructures. Noorizadeh is the founder and organiser of Weird Economies, a multi-authored platform dedicated to radical economic imaginaries. Her work has appeared at the Guggenheim Museum NYC (2024), Taipei Biennial (2023), Venice Architecture Biennial (2021), Transmediale Festival (2020, 2022), Tate Modern Artists’ Cinema Program (20

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