Baba Yaga's Hut presents: Carrier + Emily Jeanne at No90 Lock, March 4th

Carrier is Guy Alexander Brewer’s most exacting work, a practice built around pressure held in reserve, atmosphere as architecture, absence as deliberate as any sound. A project designed to move away from rigid genre boundaries and toward something more precise: a language concerned less with what music announces than with what it transmits, what it carries beneath the surface.

The catalogue moves between implied rhythm, degraded texture, and carefully eroded atmospheres. Lean on the surface, heavy underneath. That sensibility reached a new scale on Rhythm Immortal, Carrier’s debut full-length, a definitive statement that shifts between hypnagogic drift and knife-edge rhythmic tension, fractured syncopations interwoven with weightless ambience. Following the album, Carrier’s output has continued to develop that trajectory, with Boomkat describing the work as soundsystem phantoms dancing in the long shadow of D&B and broken beat science.

His live practice extends the same sensibility into performance, an open system of resampling, physical modelling, and found sound, investigating the internal structure of sonic material in real time, each iteration shaped by its acoustic surroundings.

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Emily Jeanne stands out as one of the most distinctive voices of a new generation of electronic artists by refusing to anchor herself to any single scene or genre. Most at home in the grey areas between styles, her approach to DJing and production blends broken rhythms with more direct dancefloor energy, drawing from IDM, ambient, dub and bass-rooted traditions. This hybrid language reflects both an ever shifting inner landscape and a strong fluency across different listening contexts, from intimate experimental spaces to high energy club environments.

This ethos is formalised through the creation of her own label, quỳnh, a platform for her most personal and exploratory work. Its first releases, Call O

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