Secret advance tickets. Tour not publicly announced till end of the year so please keep it quiet!

Scott Lavene is a British singer-songwriter and storyteller whose work blends kitchen-sink realism with dark humour, poetic grit, and a distinctly English sense of place. Emerging from Essex, Lavene has carved out a niche as a chronicler of the overlooked; his songs populated by down-and-outs, late-night wanderers, and small-town dreamers.

Before his music career gained traction, Lavene spent years working a range of everyday jobs, experiences that would later inform the unvarnished authenticity of his lyrics. His songs often feel like short stories set to music, delivered in a conversational, almost spoken-word style that sits somewhere between indie folk and post-punk.

Lavene first began to gather attention in the late 2010s with early releases that showcased his knack for vivid character sketches and bleakly comic observation. His debut album Broke (2019) introduced listeners to his stark, narrative-driven songwriting, earning praise for its honesty and literary quality. Follow-up records such as Milk City Sweethearts (2021) and Disneyland in Dagenham (2023) expanded his reputation, refining his sound while maintaining the raw emotional core that defines his work.

His music is often compared to a lineage of British storytellers, Ian Dury, Elvis Costello, John Cooper Clarke, Jarvis Cocker and Robyn Hitchcock but, even so, Lavene’s voice remains singular. He has a gift for balancing melancholy with wit, finding beauty and absurdity in the mundane corners of modern life.

On stage, Lavene’s performances are intimate and magnetic, driven as much by his narrative delivery as by melody. Whether backed by a full band or performing solo, he creates a sense of closeness that draws audiences into his world.

“Thoughtful, witty songs about life from the Essex bardsman” – Uncut

“Lavene is made for live work, an Essex Jarvis Cocker” – Louder Than War

“Tragi-comic is Lavene’s stock-in-trade, mixing Ian Dury like roughshod poetry with Robyn Hitchcock’s surrealist flair.” – Mojo

"Once upon a time, he’d have found a home on Stiff Records, alongside Wreckless Eric, even Jona Lewie, and he’d have become a national treasure: he really is a very good writer, with an eye for the telling detail" – Spectator

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