Please Please You & Brudenell Presents...

Plus special guests - PVA + Kisok

*This is a standing show*

Another Country $$$$ are a Manchester-based audio-visual duo, born through the city’s experimental dance underbelly- combining shape-shifting electronic production, live drums and visuals. They craft blistering hybrid sets that fuse dub, jungle, DnB, garage, noise and hyperpop with a haunting cinematic edge.

Rooted in Manchester’s DIY scene and signed to tastemaker label Spinny Nights, the duo have quickly earned support from BBC Radio 6, Pitchfork London, RTÉ and more. Their upcoming EP Cursed Frame (Jan 2026) channels J-horror aesthetics, digital hauntings and the residue of memory into a world of abstract visuals and head-crushing rhythm.

After standout shows with Fat Dog, Baths, Kassie Krut, SCALER, Pitchfork Festival London, Another Country $$$$ now step into their own with a UK headline tour and their most fully realised work yet.

“The duo stand out against the cultural landscape of our time” - Metal Magazine

“the duo have been stirring up intrigue with their high-energy, shapeshifting hopecore beats” - Hard of Hearing Magazine

https://www.youtube.com/watch?v=wUhisJ-f_oA

https://www.youtube.com/watch?v=NNv866gRlBI

https://www.youtube.com/watch?v=Rv3-kWZdeSY

PVA

South London band PVA’s stunning debut album BLUSH consolidates the beating pulse of electronic music with the raw energy of a life-affirming gig and reveals more about the trio than they’ve ever previously shared.

The eleven blistering tracks from the group, Ella Harris and Josh Baxter (who share lead vocals as well as handling synths, guitars and production) alongside drummer and percussionist Louis Satchell, are made from a formula of acid, disco, blistering synths, the release of the dancefloor and queer-coded sprechgesang post-punk.

The tight-knit trio began when Harris and Baxter began making what they dubbed “country-friend techno” together in 2017. One of their first songs was born from Harris dictating her dreams to her new bandmate and their first show, at night called Narcissistic Exhibitionism at The Five Bells pub in New Cross, took place just two weeks after they met. The night was curated by Harris and featured painting, sculpture and photography upstairs, and bands on the ground floor. She booked PVA as headliners.

After this early stage they then recruited Satchell to bring a new dimension to their live shows. These more muscular gigs helped PVA establish a cult reputation among London gig-goers, particularly as they barely put any music online. Seeing the live show was really the only option. They established themselves as key players in south London’s fervent indie scene alongside Squid, black midi and Black Country, New Road. This then led to slots at SXSW, Pitchfork Music Festival and Green Man as well as national tours with Shame, Dry Cleaning and Goat Girl. Even in their earliest iterations, however, their existence beyond the confines of a traditional band set-up were clear. It wasn’t unusual to be able to catch them twice in one night, once at Brixton sweatbox The Windmill and again in the early hours DJing at Deptford’s subterranean Bunker club.

The group released their debut single ‘Divine Intervention’ through Speedy Wunderground in late 2019 with debut EP ‘Toner’ arrived a year later via Ninja Tune, home to similarly iconoclastic acts including Young Fathers and Kae Tempest. The EP featured a remix of ‘Talks’ from Mura Masa that picked up a GRAMMY nomination in the category of Best Remixed Recording at the 2022 ceremony.

On their debut album PVA carry that same energy from the live circuit, while also building out a holistic world full of texture and heart. BLUSH is rich with industrial-sized beats that pack a heavyweight punch, jagged punk spirit, and moments of hushed contemplation from Harris’ poetic lyrics. It sprints tirelessly throughout, linking influences including Portishead, PC Music, Laurie Anderson, and cult rave-pop duo The Pom-Poms with ease.

“We wanted to surprise people and do something more than just get across how we sound at a gig,” explains drummer Louis. “It’s quite an anxious record sometimes that is relating to mental health issues but also an everyday anxiety of making the album. It’s been a rocky ride but we always pick ourselves up.”

This is the sound of a group pushing past expectations and delivering an album that opens up new worlds of possibility. Defying easy categorisation might be instinctive to PVA but BLUSH makes other elements of the band’s world clearer than ever before. During the past two years Ella has worked on solo material as Lime Zoda and written two collections of poetry, much of which she used as the basis for lyrics on BLUSH.

Album opener ‘Untethered’ is about “being in a straight relationship that is restrictive and closed off,” Ella explains. “It’s basically an expression of this really frustrated anger at masculinity and a resentment at being unable to free you

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